St. Mary’s School

Point 4/10

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St. Mary’s School

Point 4/10

1960–1965

Year of construction

Stavros Economou

Architect

See how the shadows of the palm trees play on the surface of the cross! We come to the masterpiece of the architect Stavros Economou (1917–2002).

In the late 1950s, clergy from the Jerusalem Catholic Order of Terra Santa (Holy Land) approached the master with a request to build new schools for them in towns which were rapidly developing at that moment — Limassol and Famagusta.

Along with the British School in Nicosia, the American Academy in Larnaca (see the “Vanishing Homes” route), Terra Santa schools became the leading educational institutions for the children of expatriates and Cypriots who desired to give their children a European education, and the design of these school buildings became Cypriot modernism classic.

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Then the schools were transferred to the missionary Order of St. Mary from Italy — hence their modern name.

The space of the ensemble is divided into two parts: the larger part is occupied by a school and a kindergarten, with huge courtyards, and in the other small closed part there is a monastery in which nuns who teach at the school live. The expressive chapel with a concrete cross is a monastery church, decorated with church utensils coming from Italy.

In addition to classrooms, a library, canteens, and guest rooms, the school has a transforming stage: it opens onto a large common hall, and on the other side, onto the schoolyard. An economical solution typical of the avant-garde.

Note the ornamented concrete blocks that cover the utility compartments.

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Similar blocks were used to make up the facade of the ESEL department store building (now this facade is demolished), which we talked about on Anexartisias Street (see the route “1 km of Architecture”). Walking around the cities of Cyprus, you can find many examples of the use of such blocks.

The architect’s family maintain the building, this is probably the gimmick of its excellent condition.

After all, modernism, like any other architecture style, needs care, repair, protection, that is, you cannot give birth to a concrete building and expect it to be beautiful without restoration. The volume, of course, will remain, but aesthetics must be taken care of, loved, maintained — like any other pleasure garden.

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